Consider Mariner Theatre your home theater away from home.Īrrive 30 minutes before the show to Play 80’s Vintage Arcade Games in the Retro Lobby! There are currently 35 games to choose from in Pixels Arcade.
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Come check out the coolest Movie Theatre around! We offer Affordable family fun. New, reimagined iterations can continue to get produced and it allows it to have a renewed relevance that it wouldn't have otherwise.Mariner Theatre, a locally owned Intermediate run cinema in Marinette Wisconsin, offers $4.00 admission for all ages! The Olson family has been entertaining the local community since 1998. Continuing to produce something is a lot different than just saying, here are these classic movies that are classics and untouchable. “But I think the prequels were really important in thinking about what Star Wars is today.
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A lot of people really did not like them,” Johnson says. “The prequels, whether they were or were not bad, it’s a matter of taste. With new movies – and thereby, new action figures, toy lightsabers, video games and much, much more – Star Wars’ lifespan will extend even further. And what we’re doing, really, is just extending the life of Star Wars as a franchise.” You have to understand endless spin-offs like Clone Wars. “You want to understand what the Star Wars franchise means in popular culture, you have to understand the toys. “We sort of forget that all those peripherals are there, but things like Star Wars demand that we can’t,” he says. He draws from his own childhood, when playing with the toys – the bounty hunter Boba Fett was his clear-cut favorite – deepened his affinity for the films as a child. In particular, Gray discusses the impact of Star Wars action figures. In his 2010 book “Show Sold Separately: Promos, Spoilers and Other Media Paratexts,” Gray examines the influence of all of the items and media associated with a film or television show – trailers, DVD bonus materials, toys, video games and everything else. “Certainly even if you don’t think either Pixar or Marvel got better, I really don’t think you can make an easy argument that they've gotten worse,” says Gray, who views the deal as a safe investment for Disney based on the longstanding profitability of Star Wars. Jonathan Gray, a professor of media and cultural studies who studies film and television hype, promotion and synergy, agrees that Disney has “managed its other properties really well.” Johnson believes Disney’s handling of two other high-profile acquisitions, Pixar (2006) and Marvel (2009), has helped the perception of the Lucasfilm deal. “It’s usually denigrated as a problem where corporations are taking over and for-hire media workers without as legitimate a claim to the property are stepping in and, on that basis alone, it’s the movement away from the creator that is how we know this is a bad idea.
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“It’s really rare that something leaving the hands of a creator is potentially celebrated,” says Johnson, whose first book, “Media Franchising: Creative License and Collaboration in the Culture Industries,” is due out next spring from New York University Press. So Lucas’ departure isn't being necessarily being mourned, even if Disney’s intentions for the franchise are viewed with skepticism by many fans. It’s a unique scenario, Johnson says. While once hailed as a visionary, Lucas has been widely mocked in the wake of the series’ commercially successful but critically problematic prequel trilogy. But many celebrated the fact that creator George Lucas, he who foisted Jar Jar Binks upon audiences, won’t control future films (although Lucas will still serve as a “creative consultant”). Sure, the thought of Disney “princess-ifying” the films terrifies some Star Wars fans. The property, according to this line of thinking, is best protected by its creator, the person who conceived of the idea in the first place and thus understands it best.īut in this case, just the opposite may be happening.
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In general, he says, it’s assumed that heavy corporate involvement opposes creativity that highly-paid executives will take a property and squeeze the cultural value out of it. His research focuses on media franchising and how creativity is understood once a property is widely shared through licensing agreements. The first reaction he saw? “NOOOOOOOOOOO!” by a user invoking Darth Vader’s over-dramatic yell from the end of “Episode III: Revenge of the Sith.” It was a great disturbance in the Force, you might say.ĭerek Johnson, an assistant professor of media and cultural studies in the University of Wisconsin-Madison’s Department of Communication Arts, happened to log on to Facebook when the news broke. Social media platforms exploded as fans expressed their disbelief, outrage and curiosity. Last week’s announcement that Disney had purchased Lucasfilm and planned to launch a new set of Star Wars movies sent shock waves through the science fiction world and beyond.